拍卖信息

藏品描述

清雍正珐琅彩粉彩龙纹梅瓶是清代雍正时期瓷器制作的杰出代表，先选优质瓷土在景德镇定做成胎，烧成白胎光滑油润，再由冷凝法施釉，绘画好的白胎烧制300度左右，取出后吹施水料黄釉，通过逆光法准确清缴底釉留出所需图案，最后由宫廷画师填色描金，入窑烧制而成。先用含砷的“玻璃白”打底，使画面具有柔和的质感，再用粉彩颜料进行绘制，通过控制颜料的厚度和烧制温度，使色彩产生浓淡、明暗变化，达到细腻、柔和、粉润秀雅的艺术效果。瓶身上的龙纹是其点睛之笔，画师以精湛技艺描绘出形态各异的龙，或腾云驾雾，或盘旋飞舞，龙首硕大，双目圆睁，须发飘扬，弓身张臂，威严雄壮，龙鳞细腻逼真，龙爪锋利有力，将龙的威严与灵动展现得淋漓尽致。摆脱了康熙时期的艳丽风格，以精细的绘画和雅致的色彩著称，展现出雍正朝H超的制瓷技艺和审美品位，代表了当时瓷器艺术的最高水平。The Qing Yongzheng enamel pink dragon patterned plum vase is an outstanding representative of porcelain production during the Yongzheng period of the Qing Dynasty. First, high-quality porcelain clay is selected to customize the base in Jingdezhen, and the white base is fired smooth and oily. Then, the glaze is applied by condensation method, and the painted white base is fired at around 300 degrees. After taking it out, it is blown with water yellow glaze, and the bottom glaze is accurately removed by backlighting method to leave the required pattern. Finally, it is filled with color and gold by palace painters and fired in the kiln. First, use arsenic containing "glass white" as a base to give the picture a soft texture. Then, use powder paint for painting. By controlling the thickness of the paint and the firing temperature, the colors can produce variations in intensity and brightness, achieving a delicate, soft, and delicate artistic effect. The dragon pattern on the bottle is the finishing touch, and the painter uses exquisite skills to depict dragons with various shapes, such as soaring through clouds and mist, hovering and dancing. The dragon head is huge, the eyes are wide open, the hair and beard are fluttering, the bow body is open, the arms are majestic and majestic, the dragon scales are delicate and realistic, and the dragon claws are sharp and powerful, fully demonstrating the majesty and agility of the dragon. Breaking away from the flamboyant style of the Kangxi period, it is known for its exquisite paintings and elegant colors, showcasing the superb porcelain making skills and aesthetic taste of the Yongzheng Dynasty, representing the highest level of porcelain art at that time.