拍卖信息

藏品描述

珐琅彩瓷器始烧于康熙中、晚期，盛于雍正、乾隆两朝，是宫廷御用瓷器的代表之一。粉彩则是在康熙晚期在五彩瓷基础上，受珐琅彩制作工艺影响而创造的一种新的瓷器装饰技法，到雍正时期达到成熟，选用优质高岭土，经过反复淘洗、拉坯成型、修坯等多道工序，胎质坚致细腻，迎光可透，胎体轻薄匀称，符合雍正官窑 “皎白精致，轻重适度” 的典型特征。Enamel porcelain was first fired in the middle and late Kangxi period, and flourished during the Yongzheng and Qianlong dynasties. It is one of the representatives of imperial porcelain used in the court. Pink color is a new porcelain decoration technique created in the late Kangxi period on the basis of five colored porcelain, influenced by enamel production technology. It reached maturity during the Yongzheng period, using high-quality kaolin and undergoing multiple processes such as repeated washing, shaping, and repairing. The texture of the body is firm, fine, and transparent to light, and the body is light, thin, and symmetrical, in line with the typical characteristics of Yongzheng official kilns, which are "bright white, exquisite, and moderate in weight".