拍卖信息

藏品描述

此件清乾隆琺瑯彩人物故事鋪首銜環雙耳尊，其器型承古拓新：敞口束頸、豐肩鼓腹的輪廓，既延續青銅尊的莊重威儀，又以鋪首銜環雙耳增添靈動貴氣，50cm的規制在琺瑯彩器中尤為罕見。紋飾是靈魂所在：尊身繪文人雅集場景，人物神態鮮活、衣紋細膩，琺瑯彩料融合西洋明暗技法與中國工筆線條，色階過渡如寶石暈染，松竹布景更顯“詩畫入瓷”的東方意境。底款“大清乾隆年制”藍料規整，是宮廷造辦處禦器的身份標識。作為中西工藝交融的典範，它既承載乾隆對漢文化的推崇，亦見證18世紀中西審美互鑒。其稀缺性（乾隆琺瑯彩大器存世寥寥）與藝術價值兼具，不僅是瓷藝瑰寶，更是盛世文明的物質注腳，藏界“金字塔尖”之品。 This large porcelain piece inherits the ancient and innovates in its shape: with an open neck and bulging shoulders, it not only continues the solemn dignity of the bronze statue, but also adds a lively and noble atmosphere with a hanging head, ring, and double ears. The 50cm regulation is particularly rare in enamel ware. Decorations are the soul: depicting literati and elegant scenes with vivid expressions and delicate clothing patterns, using enamel materials that blend Western light and dark techniques with Chinese meticulous lines, with color transitions resembling gemstone blending, and a pine and bamboo backdrop that highlights the Eastern artistic conception of "poetry and painting in porcelain". The blue material of the bottom model "Made in the Qianlong Year of the Qing Dynasty" is regular and serves as the identification mark for the imperial utensils used in the palace. As a model of the integration of Chinese and Western crafts, it not only carries Qianlong's admiration for Han culture, but also witnesses the aesthetic exchange between China and the West in the 18th century. Its scarcity (the scarcity of Qianlong enamel painted masterpieces) and artistic value combine, making it not only a treasure of porcelain art, but also a material footnote to the prosperous civilization and a "pyramid tip" item in the collection world.