拍卖信息

藏品描述

罍：是商周时期大型盛酒器和礼器，其特征是小口、广肩、深腹、圈足，肩部两侧有环耳。 夔龙纹：一种古老的纹饰，源自商周青铜器，是龙纹的早期形式，通常表现为独角、一足、张口卷尾的形态，象征威严与祥瑞。 粉青釉是南宋龙泉窑创烧的极品釉色，后为宋代官窑及明清景德镇窑所继承和发展 此尊通体施粉青色釉，青绿淡雅，柔和温润，有如玉质之莹润如脂，光华内蕴；它又完美继承了青铜罍的雄浑气势：盘口、束颈、折肩、腹微鼓，线条起伏变化，力摹竹篾的韧与劲，既有青铜器的厚重感，又通过瓷器语言进行了柔化和雅化。装饰更是堪称一绝，采用釉下模印浅浮雕工艺（清宫旧称“拱花”），“拱花”工艺是一种极具难度的装饰手法，要求在坯体上雕刻出凹凸的纹饰，再施釉烧制，使得纹饰在釉下隐现，呈现出如镜影般完全相称、高度一致的对称美，通体装饰五重西周中期风格的浮雕仿古夔龙纹，布局繁密有序，层次分明。 清乾隆粉青釉刻仿古夔龙纹罍式大尊，是一件集造型之美、釉色之纯、纹饰之精、工艺之难、传承之显于大成的盛世巨作。/The *lei* was a large wine vessel and ritual object from the Shang and Zhou dynasties, characterized by a small mouth, broad shoulders, deep body, ring foot, and looped handles on both sides of the shoulders. Kui Long Pattern: An ancient decorative motif originating from Shang and Zhou Dynasty bronze ware, representing an early form of dragon imagery. It typically features a single horn, one foot, an open mouth, and a coiled tail, symbolizing majesty and auspiciousness. The pink-green glaze is an exquisite glaze color first developed by the Longquan kilns of the Southern Song Dynasty, later inherited and further refined by the imperial kilns of the Song Dynasty and the Jingdezhen kilns of the Ming and Qing dynasties This vessel is entirely glazed with a pale greenish-blue glaze, exuding a delicate and soothing elegance, like the luster of jade—soft, warm, and radiant yet understated. It perfectly inherits the grandeur of bronze lings: featuring a broad mouth, a constricted neck, a flared shoulder, and a slightly domed belly, with undulating lines that mimic the resilience and vigor of bamboo strips. While retaining the weighty presence of bronze, it softens and refines this quality through the language of porcelain. The decoration is nothing short of extraordinary, employing the underglaze impressed relief technique (historically known as "gonghua" in the Qing court). This highly challenging decorative method requires carving textured motifs into the clay body before glazing and firing, allowing the designs to emerge faintly beneath the glaze—creating a perfectly symmetrical, harmonious beauty akin to mirrored reflections. The vessel is adorned with five layers of mid-Western Zhou-style relief夔龙纹, densely arranged yet orderly, with distinct hierarchical layers. The large zun of Qianlong period in Qing Dynasty with celadon glaze and carved ancient kui dragon patterns is a monumental masterpiece that epitomizes the grandeur of an era, embodying the beauty of form, the purity of glaze, the refinement of decoration, the intricacy of craftsmanship, and the prominence of heritage.