拍卖信息

藏品描述

这件宋代汝窑宫词小盘，是北宋徽宗朝（约 1107-1125 年）汝官窑的代表性器物，堪称宋代宫廷瓷艺与文学审美融合的典范。此器的年代可锚定北宋徽宗时期 —— 汝窑作为宋代 “五大名窑” 之首，仅在徽宗朝烧造约 20 年，专供宫廷使用，存世完整器不足百件，全球顶级博物馆藏量亦屈指可数。其窑口为河南宝丰清凉寺汝官窑，是北宋官窑体系中 “天青色美学” 的缔造者，后世素有 “近尤难得” 之叹，这件小盘的存世本身即具备 “文物级稀缺性”。胎体为汝窑标志性的 “香灰胎”，细腻坚密，叩之音清越；釉料以玛瑙入釉（检测显示含二氧化硅类玛瑙成分），釉层厚润莹澈，呈现 “雨过天青云破处” 的天青色，釉面布满自然 “蟹爪纹开片”，是釉胎收缩率差异形成的艺术化纹理，经后期处理后裂纹泛淡茶色，古朴雅致。采用 “裹足支烧” 工艺，底足可见细小 “芝麻挣钉” 痕（支钉支撑烧制，避免釉面接触窑具），支钉规整均匀，体现了汝窑 “一器一匣” 的精工标准 —— 此类工艺的成品率不足 10%，更显其珍贵。需在 1260-1280℃的还原气氛中精准烧制，温度误差不超过 ±10℃，宋代工匠通过 “窑火辨温”“控风调气” 实现了堪比现代工业的精度，釉色的温润质感与开片的自然韵律，正是这种极致工艺的体现。 This small plate of imperial poetry from the Ru kiln of the Song Dynasty is a representative artifact of the Ru Guan kiln during the reign of Emperor Huizong of the Northern Song Dynasty (around 1107-1125), and can be regarded as a model of the integration of porcelain art and literary aesthetics in the Song Dynasty court. This vessel dates back to the reign of Emperor Huizong of the Northern Song Dynasty - Ru Kiln, as the first of the "Five Famous Kilns" of the Song Dynasty, was only fired for about 20 years during Emperor Huizong's reign and was exclusively used by the court. There are less than a hundred complete vessels in existence, and the number of collections in top museums around the world is also very limited. Its kiln mouth is the Ruguan Kiln of Qingliang Temple in Baofeng, Henan Province. It was the creator of the "sky blue aesthetics" in the Northern Song Dynasty's official kiln system and has been praised as "rare in the near future" in later generations. The existence of this small plate itself has "cultural relic level scarcity". The tire body is the iconic "fragrant gray tire" of Ru kiln, delicate and dense, with a clear and melodious knocking sound; The glaze is made of agate (tested to contain silica based agate components), with a thick, smooth and transparent glaze layer, presenting a sky blue color of "rain over the sky and clouds breaking". The glaze surface is covered with natural "crab claw patterns and cracks", which are artistic textures formed by differences in the shrinkage rate of the glaze body. After post-processing, the cracks are light brown in color, simple and elegant. Using the "wrapped foot and fired" process, small "sesame nail" marks can be seen on the bottom foot (the nails support the firing process to avoid contact between the glaze and the kiln furniture), and the nails are neat and uniform, reflecting the precision standard of "one vessel, one box" in Ru kiln - the yield rate of this type of process is less than 10%, which is even more precious. Accurate firing is required in a reducing atmosphere of 1260-1280 ℃, with a temperature error of no more than ± 10 ℃. In the Song Dynasty, craftsmen achieved precision comparable to modern industry through "kiln fire temperature discrimination" and "air control". The warm texture of glaze color and the natural rhythm of opening are the embodiment of this ultimate craftsmanship.