拍卖信息

藏品描述

《大明永乐青花留白雕刻海水龙纹扁瓶》，明永乐青花为明窑瓷艺之巅峰，承元青花轨辙而臻化境，扁瓶取波斯抱月器型本土化改制，海水龙纹扁瓶属陈设重器，彰永乐瓷艺 “雄健尚仪” 之文脉。此瓶胎骨坚致；青花料取 “苏泥勃青”，发色靛蓝显 “铁锈斑” 之典型料性，经 “浓淡分水法” 施布。器身采 “留白雕刻法” 饰海水龙纹：龙取威姿，鬃鬣缕刻如 “铁线盘纡” 之锐，鳞甲起突，留白处露 “甜白釉” 之润；海水纹用 “层叠分水皴”，浪涛层叠显 “锦地浪纹” 之缜，与龙纹相衔成 “海宇龙威” 之仪。颈饰缠枝莲纹，口沿回纹界域循 “三段式” 仪轨；底落 “永乐年制” 青花篆款，合明窑款识矩度。其为永乐青花 “器型、料工、纹饰” 三绝之孤范，藏界目为 “明初瓷冠”。Blue and White Flask with Reserved White Carved Sea Water Dragon Pattern, Yongle Reign, Great Ming Dynasty — Yongle blue and white porcelain represents the pinnacle of Ming dynasty porcelain art, inheriting the tradition of Yuan blue and white and reaching the acme of perfection. The flask adopts the localized modification of the Persian moon-holding vessel shape; as a major display artifact, the sea water dragon-patterned flask embodies the cultural essence of "vigorous grandeur and ritual solemnity" of Yongle porcelain art. The vessel body is firm and dense; the blue and white pigment is "Su Ni Bo Qing" (Sumali Qing), presenting a typical indigo hue with "iron rust spots", applied via the "shading water-splashing technique". The vessel body is decorated with sea water dragon patterns using the reserved white carving technique: the dragon assumes a majestic posture, its manes and whiskers incised with the sharpness of "iron wire coiling strokes", scales protruding, and the reserved white areas revealing the smoothness of "sweet white glaze"; the sea water patterns are crafted with the "layered water-splashing texture technique", with overlapping waves showing the meticulousness of "brocade ground wave patterns", connecting with the dragon patterns to form the ritual of "dragon's prestige ruling the sea and universe". The neck is decorated with interlocking lotus patterns, and the key fret patterns on the mouth rim follow the "three-section" ritual norm; the base bears the blue and white seal script mark "Made in the Yongle Reign", conforming to the standard of Ming dynasty porcelain marks. It is a unique model integrating the three perfections of Yongle blue and white — "vessel shape, pigment craftsmanship, and decoration", hailed as the "Crown of Early Ming Porcelain" in the collection circle.