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属汉代（公元前202年—公元220年）陶器遗存，为黄河流域及中原地区汉代日常生活与丧葬文化的典型器物，见证了当时制陶工艺的成熟与社会物质文化的发展，小口，短颈，溜肩，鼓腹，平底，器身两侧对称置桥形双耳（便于提携），整体线条圆润流畅，体现汉代陶器“实用与造型美学结合”的设计理念，采用泥质灰陶，经轮制工艺成型（器型规整，表面光滑），烧制火候均匀（约1000℃以上），质地坚实，呈青灰色，反映汉代制陶技术的H度发展，器表饰弦纹（平行凸凹线条），通过轮制时的刻划或堆塑形成，简洁明快，是汉代陶器常见的装饰手法，彰显古朴庄重的审美风格，作为储物容器（如盛水、粮食等），双耳设计适配搬运需求，鼓腹增大容积，体现汉代生活器具的实用性与功能性，其器型、工艺与纹饰为研究汉代陶器制作技术（如轮制工艺、烧制火候控制）提供实物证据，反映当时手工业的分工与发展水平，作为汉代社会物质文化的缩影，见证了中原地区与周边文化的交流（如双耳造型对游牧文化的借鉴），对重构汉代日常生活场景、丧葬习俗及经济形态具有重要意义，陶罐以简约弦纹与对称双耳构成视觉秩序，展现汉代“质朴大气”的审美取向，其历经千年的包浆与自然侵蚀痕迹，承载着古代文明的历史记忆，是研究中华文明连续性与传承性的重要实物遗存。It belongs to the Han Dynasty (202 B.C. - 220 A.D.) pottery remains, for the Yellow River Basin and the Central Plains of the Han Dynasty daily life and funeral culture of the typical utensils, witnessed the maturity of the pottery process and the development of social material culture at that time, small mouth, short neck, sloping shoulders, drum belly, flat bottom, symmetrical bridge ears on both sides of the body (easy to carry), the overall line is round and smooth, reflecting the Han Dynasty pottery "practical and aesthetic combination" design concept, the use of clay gray pottery, through the wheel process molding (regular shape, smooth surface), The firing temperature is uniform (about 1000 °C or more), the texture is solid, and it is blue-gray, reflecting the high development of the pottery technology of the Han Dynasty. As the epitome of the material culture of the Han Dynasty, it has witnessed the exchange between the Central Plains and the surrounding cultures (such as the reference of amphora modeling to nomadic culture), which is of great significance for reconstructing the daily life scenes, funeral customs and economic forms of the Han Dynasty. Its thousands of years of slurry and natural erosion traces carry the historical memory of ancient civilization, and are important physical relics for the study of the continuity and inheritance of Chinese civilization.